The Fall of the Roman Empire is a lurid statement, and simply false, as some knowledgeable fellow travelers in our group pointed out on our way to the Trier exhibitions.
Synopsis of the decline and change of the western part of the Roman
Empire Click to enlarge. |
Red Baron will not describe the three Trier exhibitions separately but will give his overall view that may not coincide with some expert opinion.
At the end of the third century, it became clear to Emperor Diocletian that the vast Empire comprising the Mediterranean, extending from Britannia to the Persian border and crumbling at its edges, could no longer be governed from central Rome. The Empire needed a more efficient administrative structure and a clear succession plan.
Residing on the Dalmatian coast in Spalatum (today Split), Diocletian elevated Maximian to co-emperor in 285, entrusting him with the administration of the western half of the Empire.
The Roman Tetrarchy, a reign of four emperors, was born when in 293, Diocletian and Maximian, in their position as Augusti, appointed Constantius and Galerius as junior emperors (Caesares) and presumptive successors.
Here are the four of the first Roman tetrarchy. They are replicas of the porphyry statues from 1204, now in St. Mark's, Venice.
Augustus Diocletian embraces Caesar Galerius. |
Augustus Maximian embraces Caesar Constantius. |
A Diocletian (284-305) Orient
C Galerius (293-305) The
Danubian provinces from Noricum to the mouth of the Danube
A Maximian (285-305) Occident with Italy, Spain, and Africa
C
Constantius (293-305) Gaul and Britannia
Constantine's second Wife, Empress
Fausta, with nimbus and precious jewelry. A secco painting on plaster from the Constantine Basilica in Trier before 330. |
Constantine's mother,
St. Helena, with the holy cross found in Jerusalem. Sandstone with remains of setting around 1680. |
This officially ended the persecution of Christians in the Occident.
Replica of the decoration of a sarcophagus from the 4th century with
biblical motifs: Adam and Eve, the Good Shepherd, and the Three Youths in the Furnace of Fire. |
A panel made of ivory from the 5th to the 6th century with the
representation of a procession of relics, i.e., showing the transfer of a relic to a new church building. |
The power in the hands of the princes of the Church did not agree with the smoldering disputes about faith, whereby the most crucial question: Is Jesus equal to God (homousios) or only similar to God (homoiusios), was fought out among patriarchs and bishops with hard sticks.
For Emperor Constantine, these were just idle squabbles about inscrutable things. He was not interested in or understanding dogmatic and Christological problems, especially when they endangered imperial unity. Again and again, the emperor admonished that his goal was, above all, that a single faith, pure love, and piety be preserved among the happy people of the Catholic Church.
Baroque emperor Constantine. Sandstone with remains of a frame around 1680. |
The result of the negotiations is the sentence in the Creed, known to all of us, that the Son is true God from true God, begotten, not created, of one being with the Father.
This decision was not further explained or justified because the pagan emperor forbade any theological discussion. With the acceptance of the formula of faith, for Constantine, the dispute was over because what pleased 318 bishops is nothing other than the will of God.
The official declaration of the 318 bishops reads, "The holy apostolic and catholic church curses those who say that there was a time when the Son of God was not, that he was not before he was generated, that he was made or created from nothing or a substance or essence, that he was changeable and mutable."
With this statement, the ancient Church lost its innocence when it not only cursed the Arians but began their bloody persecution. Not a good sign of unity.
Tombstone from the 5th century with a Christ monogram for
Batimodus, who was taken in peace at 50. |
They gave wood shavings and snail purple into the grave. |
In the 19th century, not only historians but the bourgeoisie situated the decline of the Empire in the decadency of Roman life. In 1883 John William Waterhouse painted Augustus Honorius occupying himself instead with the well-being of his guinea fowls than with ruling. Who does not think of Friedrich Dürrenmatt's hilarious play Romulus the Great, where hens lay eggs on stage?
Wars (orange) and civil wars (black) in the Roman Empire between 346 and 476 |
Around 470: infiltration of the Roman Empire or immigration? |
A Frankish gravestone or the lost art of writing in the 7th century |
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