Tuesday, July 14, 2026

Nancy

On the second day of the Museumsreise 2026, our group explored Nancy, Lorraine's capital.
  

The first stop was the Musée d'École in the Villa Majorelle. Its interior was crammed with Art Nouveau furniture, paintings, and other objects.

Portrait de M. et Mme Corbin by Victor Prouvé painted in 1906
This eyecatcher is an example of the Nancy School. The painting depicts the wealthy class, with a newspaper-reading husband and Madame striking a pose. The background is filled with decorative glass art, an Art Nüoveau rose window. 

An Art Nouveau vestibule
Marcel Corrette: Le goûter sur la terrasse 1938
And here are Mr. and Mrs. Corbin again, shortly before World War II, having a snack on the terrace.


Rich people lived in style and sat on a canapé whose back was decorated with a hard-working Lorraine miner.

Victor Prouvé: Portrait des Demoiselles Moulins, 1903
And again, Victor Prouvé: He painted the granddaughters of the orchestra director at the Nancy Opera, all of whom, of course, play the piano.


Then we went up a flight of stairs to the first floor, where we met ...
 

... a cluttered bedroom ...


... a bathing paradise (?) ...


... and a contemporary stained-glass window.


It was hot, and those saturated with Art Nouveau gathered in the shade in front of the museum before the scheduled departure time. Our bus took us next downtown to Square Stanislas.
 

We had to walk a few meters and passed the Prefecture of the Department of Meurthe-et-Moselle.


And there it was in all its splendor, Square Stanislas. For its history, you may wish to consult the information (in German) that Professor Asch sent to the participants as an email attachment before the excursion.

To Stanislas, the Benefactor, from a Grateful Lorraine, 1831
In the background, the rather grand city hall.


The corners of the square are richly decorated with golden arches and fountains.


In the distance, a slender, pointed, tall church tower could be seen. I left Square Stanislas, walking down along a street lined with magnificent buildings and through a triumphal arch, heading in the direction.

Saint Épvre (©Krzysztof Golik/Wikipedia)
Suddenly, I found myself standing in front of a Neo-Gothic church. Built in the 19th century, the cathedral is dedicated to Saint Épvre and is a landmark of Nancy.

Épvre comes from the Latin aper, which literally means "boar." Saint Épvre was a bishop of Toul in the 5th century. He is regarded as a particularly compassionate pastor and is said to have been especially dedicated to helping the poor and the sick.

Unusual depiction of the Holy Trinity in the Typanon of St. Épvre

After lunch, the Museum of Fine Arts, located on Square Stanislas, was the penultimate stop on our excursion. I took many photos, and while looking through them, I realized that I could use them to illustrate the story of salvation. Here we go:

Frans II Pourbus (1569-1622): Annonciation, 1619
Anonyme flamand XVIe siècle: Adoration des bergers
Gerard Seghers (1591-1651): Le Christ après la Flagellation, 1525.
With the pillar of scourging in the background, Jesus bends down to pick up his clothes.

Giampietrino (1508-1549): Christ au roseau
As King of the Jews, Jesus wears a crown of thorns and a reed. Is he contemplating a second Gethsemane: "Father, must this be?"

Scene of crucifixion in St. Épvre
Wilhelm Stetter (1487-1552): Apparition du Christ à Marie-Madeleine, 1523
The risen, triumphant Christ.

Luca Giordano (1634-1705): Conversion de Saint Paul, 1685
The spread of Christianity began with Saul's conversion near Damascus.

Here are some other painting highlights.

Paolo Girolamo Piola (1666-1724): Susanne et les veillards, 1700.
Lecherous old men are much older than in the Old Testament, but here, two of them try to seduce Susanna in the bath

Georges de La Tour (1593-1652): La femme à la puce, 1638
Here, you are possibly wrong. The girl isn't unbuttoning her bodice; she's crushing a flea between her thumbnails.

Lorraine clearly is the "missing link" between Charles' territories in Flanders and Burgundy.
Charles the Bold, Duke of Burgundy, was nicknamed "The Turk of the East" because of his drive for territorial expansion. In his quest, Charles fought three decisive battles (Read more in German).

On March 2, 1476, at the Battle of Grandson against the Swiss Confederates, he lost his (Hut) hat.

On June 22 of the same year, at Morat against the allied Swiss, Lorraine, and Further Austrian troops, he lost his (Gut) estate.

The following year, the duke, in a final desperate effort, staked everything on a single gamble. On January 5, 1477, in the Battle of Nancy against the allied forces, he lost his (Blut) blood and with it all his possessions.

Auguste Feyen-Perrin (1826-1888): Charles le Téméraire, 1865
The duke was found naked on the battlefield. Why hadn't the looters also taken the ring from him - the one that a servant is holding out to the approaching victors as a sign of identification?

The church rises majestically above the village
Our last stop was the basilica, St. Nicolas in St. Nicolas de Port.

St. Nicolas' altar
As early as 1093, the first church was built to house a finger from Saint Nicolas' blessing hand, which the crusader Aubert de Varangéville had brought from Bari in 1090. Due to the large influx of pilgrims, a second, larger church was built beginning in 1193. It is said that Joan of Arc prayed there in 1429 before she saved France.

A breathtaking view toward the high altar
The present-day late-Gothic basilica was built starting in 1481 on behalf of the Duke of Lorraine, René II, and consecrated in 1560. It is said that the duke was thereby fulfilling a vow he had made in prayer in 1477, should he defeat the enemy Burgundians - which he did with the help of his friends in the battle of Nancy.


Only a glance at the floor plan reveals that the church building has a slight bend. According to ChatGPT, the most likely explanation for the bend is a combination of structural factors and the lengthy construction period. The interpretation of it as a symbol of Christ's bowed head is widespread and theologically appealing, but there is no historical evidence to support this interpretation for this basilica.


Storks perched on a distant corner of a roof clattered their "Que Dieu vous protège."

 Thank you, organizers, for this remarkable excursion.
**

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