Last Monday, Red Baron was invited to the vernissage of the art exhibition
Kunstbegegnungen. This event showing works of art from Freiburg‘s sister
cities had been planned as a highlight on the occasion of the 900th city
anniversary in 2020. Corona spoiled it all but better late than not at all.
The Ukrainian singing group Kupalinka opened and framed the exhibition.
In his welcoming speech, Freiburg's Lord Mayor Martin Horn said, “Having
friends all over the world is good for you and broadens your perspective. In
times of crisis, however, it can also mean concrete help, as the current
aid deliveries from Freiburg to our Ukrainian sister city Lviv prove.”
“Moreover, sister cities also enrich your cultural horizons, as
the exhibition vividly shows. Freiburg now has a dozen sister cities, and
indeed all twelve are represented in this multi-faceted exhibition with
their own artistic contributions ….”
“I am grateful and proud of
our lively partnerships with these twelve extraordinary cities - with them, we have found true friends worldwide! Thank you to all who have
made this interesting exhibition possible!”
Here is my private choice of art objects that are presently on display at the
Meckelhalle.
N.B.: The texts below in italics are copied from the booklet
accompanying the exhibition.
Besançon
|
Thomas Perrin, Résines (2018)
|
Thomas Perrin‘s sculptures grow on the floor of museums and art spaces.
As a kind of fetish, they mix gender symbolism and unite the masculine and
the feminine in forms that recall both the mother’s breasts and childish
toys.Granada
|
Sebastian Barria, Arcano Ecléctico (2019)
|
“Imaginary, dreamlike rules are strongly present in my work, as are
cosmic and mysterious environments.”
To me, the drawing looks like a remake of
M. C. Escher.
|
Liliana Ramírez, Liberdad de expresión (Freedom of Expression, 2019)
|
A successful variant of the old theme with a brush instead of a pencil.
Guildford
|
Marilyn McNie, Autumn in Guildford (2019)
|
The artist mentions three happy years of living and working in Germany,
“There are a few things more beautiful than autumn there, but this
painting celebrates the beauty of autumn in Guildford.”
|
Nick Pyne, Caryatids (2019)
|
“I like to bring together disparate elements to create new and interesting
objects or images. Working with mundane and everyday materials often has
surprising results.” Innsbruck
|
Katharina Cibulka, We certainly don’t do it for the money (2012)
|
Katharina Cibulka pursues in her works a consistent political agenda,
focusing on aspects such as feminism, social justice, communality, and
questions about aesthetic processes and the role of art itself … The
tremulously flickering neon in handwritten type is programmatic, gently
cynical, and at the same time admonishing. Isfahan
|
Minoo Iranpour, Borderless (2020)
|
“The concepts of love and hate coexist, but I have chosen love
and intimacy in this work. The video clips are about the immediate, momentary feelings of
people … when the phrase ‘I love you’ is heard from different people of
different ages and from different communities.”
Masked right to the video installation stands the
director of Freiburg's municipal savings bank (
Stadtsparkasse), the latter being the main sponsor of the art exhibition.
Lviv
|
Tetyana Hamryshchak, Lobster (2019)
|
“In watercolor, there are no coincidences, no retouching; every spot of
color requires a certain plan and a lot of experience. It is this mixture
between flowing, almost unrestrained colors and the artist’s clear plan that
makes this technique unique in painting for me.”
Madison
|
Ben Fleischmann, Pink Spring (2019)
|
|
Ben Fleischmann, Spring Flamingo (2019)
|
“I feel good when I paint. Big brushes on the big canvas work best. Sometimes
I also like to put tape or tissue paper on the canvas before I paint. I like
to do art with the radio on. I paint in time to the music. Painting is great.
Sometimes I’m surprised by how my paintings turn out, but I always like
them.”
|
Romano Johnson, Black Panther Car (2019)
|
“When I was a young kid in Chicago, I would draw ‘cause I love it and I was
good at it. It’s what I like to do. I like to draw cars, car parts, faces,
hair, clothes, and when I draw and paint, I’m always working for better ideas
blending colors, adding glitter, coming up with patterns ….”Matsuyama
|
Watanabe Shūji, Ikkaku Sennin (2019)
|
The mask Ikkaku Sennin (The One-Horned Hermit/Immortal) is a mythological
creature born of a deer that loses its supernatural powers when it succumbs to
the charms of a woman. Suwon
|
Young-Teak Kwon, Otter at Odae Stream (2018)
|
In his painting,
Kwon describes how the otter, which had disappeared because of ecological
pollution, returned back to the Odea stream after the environment became
cleaner. The clouds in the shape of an otter and a bird are flying over the
Odea stream and mountain, illustrating the message of a new hope that respects
the law of nature.
|
Pilyun Ahn, Law of conservation of mass (2019)
|
The work
illustrates the universal principle that everything created passes away …
This particular way of looking at the artwork itself tells us the story of
existence, absence, and the cycle of life.
To me, as a physicist, the artist gives me a chance to look into a black hole
that apparently is colored, after all.
Tel Aviv-Yafo
|
Guy Yechiely, Tel Aviv coastline - A View from Old Yafo (2020)
|
Tel Aviv's coastline is beautiful, vibrant, and lively all day long and
especially during its wonderful sunsets when the city skyscrapers are
emphasized by its amazing colors.
Wiwili
|
Julio Barahona, Disfrutando del verano caliente (Enjoying the Hot Summer, 2018) |
|
Julio Barahona, Recuerso del huracan lota (Memories of Hurricane Lota, 2018) |
Julio Barahona
captures moments of everyday life and documents festivals and celebrations
in his city.
The nature surrounding Wiwili and the people who live there interest the
photographer. In 2018, Hurricane Lota caused great destruction in Wiwili and its
environment.
*
No comments:
Post a Comment