Last Wednesday, Red Baron took part in an excursion of the
Museumsgesellschaft
to
Tübingen to visit the exhibition Sisters & Brothers,
500 Jahre Geschwister in der Kunst (500 years of siblings in art).
Why is the title in English, although
the wave of anglicism is ebbing away
in Germany?
"Sisters & Brothers" is possibly explained by a photo taken by
Nicolas Nixon in 1980, The Brown Sisters, Greenwich, Rhode Island, that adorns
flyers and posters for the exhibition.
The vice president of the Museumsgesellschaft, Professor
Sabine Wienker-Piepho, guided the tour. Already on our way to Tübingen on the coach, Sabine
introduced us to the part of the exhibition she knows best: siblings in fairy
tales.
The makers of Sisters & Brothers boldly claim:
Surprisingly, the longest and not infrequently most intense relationship in
a person's life - the sibling relationship - has hardly been studied
scientifically and has never been the subject of an exhibition.
When we arrived at the art gallery, the Director and Curator, Dr.
Nicole Fritz, guided us through the exhibition.
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Jan Harmensz. Muller: Cain and Abel (1589)
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The book Genesis of the Old Testament starts with the first and most dramatic
fratricide. Rival and conflicting siblings are frequent protagonists in Bible
stories, such as Jacob and Esau or Joseph and his brothers.
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Johann Gottfried Schadow: Louise and Friederica of Prussia (1797)
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In the transition to the 19th century, siblings in love imagined themselves as
soul mates. A well-known example is Queen Louise and her sister Frederica of
Prussia, whose political significance in the Napoleonic era is still
exaggerated today.
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David Sulzer: Drei Winterthurerinnen (1837)
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The pictorial representation of the three sisters from Winterthur also
emphasizes their close bond, embodying their sisterly friendship.
In the Grimm fairy tales, the relationships between brothers and their
usually youngest sister are particularly close.
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Moritz von Schwind: The Seven Ravens (1857)
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In the fairy tale of The Seven Ravens, the sister sets out to find her
missing and enchanted seven brothers. To redeem them, the girl's
willingness to make sacrifices goes so far that, in the end, she cuts off
her little finger.
 |
Hastily, the girl ran away and, in search of her brothers, ran to the moon, But he was too cold and also gruesome and evil, and when he noticed the child, he said, "I smell, smell human flesh." |
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August Gaber: The Six Swans (1860)
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In the fairy tale The Six Swans, the sister, out of love for her six
brothers who have been transformed into swans, performs unheard-of acts to
redeem them. The girl sits in a tree, is not allowed to speak or laugh for
six years, and must sew six shirts made of starflowers during that time.
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Eugène Carrière: The Kiss of Innocence (1882)
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Child siblings symbolize innocence and are the motif of the painting "The
Kiss of Innocence."
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Wilhelm Balmer, The Three Brothers (1898)
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The bourgeoisie of the 19th century wants to radiate affection and
security. This is precisely how The Three Brothers are depicted without
the usual sibling rivalry and bickering.
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Erich Heckel, Siblings (1913)
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On the eve of the First World War, Heckel shows an intimate love between
siblings. As their mother dies, Heckel's wife, Sidi Riha, comforts her younger brother.
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Julie Hayward: Let's Dance (2014)
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These objects, seemingly standing wildly in the room, represent two pairs
of siblings. They are each connected with a metal bracket, which means I cannot
choose my sibling. At the same time, however, the bracket is a sign of
bondage.
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Gert and Uwe Tobias: 6 PM Cain and Abel (2022) With much
temperament, Dr. Fritz explains the work of art.
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The monumental woodcut of two rival brothers, Gert and Uwe Tobias depicts
Cain's fratricide surrounded by motifs reminiscent of Hieronymus Bosch.
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Here is the fratricide in more detail.
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Erwin Wurm: The North/South Question for Siblings (2007)
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Here, the artist invites the viewer to participate. Siblings should face
each other and express their bond with the help of a board, which they
clamp between them without using their hands.
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Joseph Beuys: Cosmos and Damian 3-D (1974)
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Twins are very special siblings. A postcard of the collapsed World Trade
Center is emblematic of the mythical physician twins, Cosmos and Damian,
who converted many of their patients to Christianity through gratuitous
treatment. Joseph Beuys superelevated the names of the towers to Cosmos
and Damian: charity spans the globe.
After a snack in the museum cafeteria, there was still time until the
coach's departure to deal more intensively with some art objects.
Long shot of the work of the Tobias brothers.
Thank you, Sabine, for the most memorable excursion.
*
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