On the first evening in Leipzig, Red Baron listened to Bach's Matthäus-Passion, also called the Great Passion, at the Thomaskirche, where Johann Sebastian had been choirmaster from 1723 until his death in 1750.
Here follows a Google translation from German into English of an appreciation of BWV 244 that eventually turned out not to be too bad but that I still had to fine-tune: In a unique way, Bach's St. Matthew Passion documents the gradually incipient change in Passion understanding since 1670. This is disclosed above all by the fact that traditional styles made room for new forms of expression of individual piety and religious feelings of the listener to a much greater degree than before. We do not know how many of the Leipzig music connoisseurs were aware of the uniqueness of the gigantic work. Bach's calligraphy score, which he produced in 1736, indeed testifies that his "Great Passion" should serve posterity, the generation of his sons, and students as a musical legacy. Mendelssohn, who had rehearsed the Passion under his teacher Carl Friedrich Zelter since 1820, had it performed for the first time in public in 1829.
Red Baron had listened to live performances of BWV 244 before. Here, at the Thomaskirche, the English Baroque Soloists directed by Sir John Eliot Gardiner, apparently in awe of the place, did not dare shorten the masterpiece. They performed the long (full) version that lasted more than three hours with only a 15-minute interlude. It was hard to sit on a wooden church bench for so long.
Again, I enjoyed my memorable favorite aria: Erbarme Dich mein Gott, um meiner Zähren willen! Schaue hier, Herz und Auge weint vor dir bitterlich. (Have mercy, Lord, on me, regard my bitter weeping, look at me; heart and eyes both weep to Thee bitterly). In concert with an alto, the weeping violin is one of Bach's strokes of genius.
Our group went on a guided tour of Klein Paris the following day. The well-known Bach monument in front of the Thomaskirche is not the oldest.
There is an older one sponsored in 1843 by Felix Mendelssohn Bartholdy, who had rediscovered Bach as the master of baroque music.
We were given free time in the afternoon, and I wanted to check out the traditional Gasthaus Zum Arabischen Coffe Baum (At the Arabian coffee tree).
I started with a specialty of the house, Ur-Krostitzer Bierfleisch tempura and Bratkartoffeln.
Deep-fried Ur-Krostitzer beer meat with cumin-garlic and fried potatoes with onions |
I ended my meal with Sächsische Quarkkeulchen, refined by adding cinnamon cream, apple sauce, and vanilla ice cream.
Saxon chops made from curd cheese and sides |
In the afternoon, I passed a GDR monument in front of an exhibition on Teilung und Einheit, Diktatur und Widerstand (Division and Unity, Dictatorship and Resistance), and written on the side Warning! History may lead to insight, causing awareness. The statue symbolizes the transformation of Germany's society from the Third Reich (military boot and Nazi salute) to the First State of Workers and Farmers, the GDR (barefoot and raised fist). And then there was music all over town.
No comments:
Post a Comment